Template:Vy2 V2 voicebank

No noise filterations were applied to the voicebank, allowing it to retain a natural sound to it. VY2's demo producer wrote a short commentary of the Vocaloid. According to the producer, VY2's voice is placed between Kamui Gakupo and Hiyama Kiyoteru's vocal ranges. VY2 can produce a low tone of voice much easier then past Vocaloids, the only male Vocal to date that could match VY2's tone was Gackpoid. Both VY2 and the Gackpoid software hold the title of second lowest known optimum vocal range in Vocaloid 2 at #A1, the lowest being English Vocaloid Big Al at #G1. #C2 was listed as VY2's best tone.

In the demo song "Toki no sugi yuku mama ni" it was noted that all other Japanese male Vocaloids were insignificant for this song and that VY2 was the only vocal that did not sound bad when used for it, leading the producer of that song to simply give up trying to use the other Japanese male Vocaloids. A suggested vocal range was supplied, giving users an idea of where on the piano roll VY2 should be used, unlike VY1 who was left for users to discover. As with VY1, improvements were included, with the inclusion of a faint breath element to make the vocals sound more realistic, which was not present in VY1's voicebank.

VY2 had the very last version of the engine made for commerical sale in the Vocaloid 2 era, therefore in theory VY2 was capable of fixing any past issues with versions of the Vocaloid 2 software. So long as VY2 was installed last issues like those caused by installing Vocaloids with older engine versions over newer ones, such as the most famous case of Prima, would easily be resolved by his installation.

According to the producer who worked on the demo one weakness was that the phonetics あa with れre becomes a げge sound, but this is fixed by dividing the tracks or modifying the tone of the voice. Like with VY1, some users find it difficult to visualize the singer without a mascot character to base their songs on. With a Optimum tempo and range given for VY2, this gave Producers a sense of direction - but less sense of discovery.