Template:Sweet Ann V2 voicebank

As her name suggests, her voice is meant to sound "sweet" and she has a variety of uses within music. However, she lacks the raspiness of Lola and is therefore better suited to some genres like pop, rather than styles such as R&B. She also has a distinct accent that can give Ann a "sassy" ring to her voice. She is considered overall one of the easier Vocaloid 2 English Vocaloids to use and in the later half of the Vocaloid 2 era, Sweet Ann became a popular choice for new producers looking to get into English capable Vocaloids.

According to John Walden of Sound on Sound magazine, she was capable of sounding more realistic than the past Vocaloid voicebank libraries and required less work to edit thanks to the improved Vocaloid 2 engine. He commented that Sweet Ann is useful for a range of supporting vocal tasks and praised both Yamaha and PowerFX for their efforts. However, despite the improvements to the Vocaloid software, Walden echoed words that would become a reoccuring phrase throughout the Vocaloid 2 software era, that despite developments the Vocaloid software was still far from being a first class singer.

She is considered the most dated of the Vocaloid 2 based English Vocaloids; Big Al has more recorded keys than she does resulting in her voice being less smooth than her counterpart. Her accent can make her pronunciations of some words sound odd and swapping phonetics may have to occur to get around the accent, but those able to work with it report she is relatively easy to use. She was one of two English capable Vocaloids released during the Vocaloid 2 period to not have a thrilled "R" sound and had no breath samples.