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Background[]
"※Netabare: Hannin wa Zundamon" is an original song produced by Mata Setsunai Sekai o Ikiru featuring eleven voice synths: six VOCALOIDs, two COEIROINKs and one UTAU, NEUTRINO and VOICEVOX. It was released as a participating work in the Joke, Weird or Story Song Festival and the Existing Song Resurrection Festival.
The song itself is essentially a chaotic love letter to the meme-driven side of Niconico Douga, filled with references to purely-Japanese internet memes and related culture.
The song is presented like a "story": Yuzuki Yukari, acting as the organizer, hosts a meeting with eight trusted individuals to decide who will inherit her "transfer asset", which is revealed to be simply: the Niconico Headquarter's Building. As the meeting goes on, the characters argue and clash over the building in increasingly ridiculous ways.
The tone shifts into full chaos once Zundamon appears. True to the song's title, Zundamon's plan is to just blow up the entire building; they already did, understandably angering everyone. The song also begins breaking the fourth wall in many forms, escalating the absurdity even further with no sign of stopping.
At the end, the eighth participant, who is the true participant, who had been late, finally arrives. This character turns out to be a COEFONT voice synth of Hiroyuki. The producer didn't credit Hiroyuki initially, instead labeling the character with question marks to keep the identity a mystery until the very end.
The song concludes without clearly settling who will ultimately inherit the building.
Lyrics[]
| Singer | Yukari | Miku | Kaai Yuki | flower | Fukase | GUMI | Adachi Rei | ZUNDAMON | ??? (Hiroyuki) |
|---|
| Choruses | All (Except Hiroyuki) |
All (Except Miku) |
All (Except ZUNDAMON) |
|---|
| Explainers | Kasukabe Tsumugi | Tsukuyomi-chan |
|---|
| Japanese | Romaji | |
| ⍰⍰区某所にて贈与の会議は踊る | ??ku bousho nite zouyo no kaigi wa odoru | |
| 8名が「集められし、かの争い人」 | hachimei ga "atsumerareshi, ka no arasoi hito" | |
| shake! | shake! | |
| shake! | shake! | |
| shake! | shake! | |
| shake! | shake! | |
| ※聞き取り不可能 | ※kikitori fukanou | |
| （くしゃみ） | (kushami) | |
| shake! | shake! | |
| shake! | shake! | |
| WIPE!! | WIPE!! | |
| それじゃ、早速始めよう | sore ja, sassoku hajimeyou | |
| こちら館の✝司りし者✝を | kochira yakata no ✝juzousha✝ o | |
| 決めるために何をする？誰か！案は！？ | kimeru tame ni nani o suru? dareka! an wa!? | |
| それじゃ、ここは任せなさい！ | sore ja, koko wa makasenasai! | |
| 求める求めるモノはそう！ | motomeru motomeru mono wa sou! | |
| 刺激・熱意・エトセトラ | shigeki netsui etosetora | |
| 具体的な例は_______ | gutaiteki na rei wa_______ | |
| デスゲーム（却下） | desugeemu (kyakka) | |
| 殴り合い（却下） | naguriai (kyakka) | |
| ○し合い（却下） | koroshiai (kyakka) | |
| ○し合い（却下） | koroshiai (kyakka) | |
| 毒塗りの弾丸でロシアンルーレット！（物騒なのだ!!） | dokunuri no dangan de roshianruuretto! (bussou nano da!!) | |
| とりあえず、あたくしがおいかけて、 | toriaezu, atakushi ga oikakete, | |
| つかまったひとたちが、【規制音】で | tsukamatta hitotachi ga, [kiseion] de | |
| たのしくきゅーぴっと！ | tanoshiku kyuupitto! | |
| やっぱここでは話し合いましょう。 | yappa koko de wa hanashiaimashou. | |
| 平和的かつ合理性求めるならば | heiwateki katsu gourisei motomeru naraba | |
| さあ円卓を囲い論あげつらいましょう！ | saa entaku o kakoiron agetsuraimashou! | |
| ……まぁ、でも、誰もきいてない！w | ……maa, demo, dare mo kiitenai! w | |
| 暴力では何も解決しないので | bouryoku de wa nani mo kaiketsu shinai no de | |
| 対話重ねて、なるべく誰もが頷けるよう | taiwa kasanete, narubeku dare mo ga unazukeru you | |
| 妥協案を講じ、すぐに終わらせましょう | dakyouan o kouji, sugu ni owarasemashou | |
| ……まぁ、でも、誰もきいてない！w | ……maa, demo, dare mo kiitenai! w | |
| （※幽霊なので誰も聞こえません） | (※yuurei na node dare mo kikoemasen) | |
| あ～どうも、警備のものですが | a~ doumo, keibi no mono desu ga | |
| ふっつ～～～～に、スマブラの淫夢実況見てたので | futtsu～～～～ni, sumabura no inmu jikkyou miteta no de | |
| 話聞いてませんでした | hanashi kiitemasen deshita | |
| あー、てきとーでいいっすよ | aa, tekitoo de iissu yo | |
| あみだとかでいいんじゃないすかね | amida toka de ii nja nai suka ne | |
| 馬鹿げた会議は踊る踊る | bakageta kaigi wa odoru odoru | |
| 終わりの兆しも見えずに | owari no kizashi mo miezu ni | |
| ハヤくハヤく決めましょう！◆◆ | hayaku hayaku kimemashou! ◆◆ | |
| ハヤくハヤく終わらせて！◆◆ | hayaku hayaku owarasete! ◆◆ | |
| 個性と個性が混ざる混ざる | kosei to kosei ga mazaru mazaru | |
| どこにも答えはありゃしない | doko ni mo kotae wa arya shinai | |
| ※聞き取り不可 （多分なんか怒ってる） | ※kikitori fuka (tabun nanka okotteru) | |
| まともじゃないやつ うーぱぱうーぱぱ ◆◆ | matomo janai yatsu uupapa uupapa ◆◆ | |
| 少しはまともに考えて！◆◆ | sukoshi wa matomo ni kangaete! ◆◆ | |
| Shake me! Shake me! ボケナスが！ | Shake me! Shake me! bokenasu ga! | |
| ズンダズンダモンモンダ | zunda zunda monmon da | |
| まだまだ会議は続く続く | madamada kaigi wa tsuzuku tsuzuku | |
| 小田原評定in令和 | odawarahyoujou in reiwa | |
| とにかく誰かまともな意見を出してくれ！◆◆ | tonikaku dareka matomo na iken o dashite kure! ◆◆ | |
| じゃあ もう ◆◆◆◆◆◆ | jaa mou ◆◆◆◆◆◆ | |
| （僕にくれなのだ）（私にください）（閨槭″蜿悶ｊ荳榊庄閭ｽ縺ｧ縺）（僕にください）（僕にください）（MEにください） | (boku ni kure nano da) (watashi ni kudasai) (閨槭″蜿悶ｊ荳榊庄閭ｽ縺ｧ縺) (boku ni kudasai) (boku ni kudasai) (ME ni kudasai) | |
| はぁ↑えｪ↓と、そのｫ↑ハァア↑アノォ↑はァアァア↑ | ha↑ ee↓ to, sonoo↑ haaa↑ anoo↑ haaaaa↑ | |
| もうだめだ。女の子がいっぱいで、上手く喋れません。 | mou dame da. onna no ko ga ippai de, umaku shaberemasen. | |
| でも、案がぁ、あるゥ、からア↑言わないとぉオ卍 | demo, an gaa, aruu, karaa↑ iwanai tooo | |
| （深呼吸） | (shinkokyuu) | |
| はぁ↑えｪ↓と、そのｫ↑ハァア↑アノォ↑はァアァア↑ハァ↑あぁｧ↑うぅぅ↑ﾊｱ↓ | haa↑ ee↓ to, sonoo↑ haaa↑ anoo↑ haaaaa↑ haa↑ aaa↑ uuu↑ haa↓ | |
| あぁ…ぁああ﹀▔╲︿_/︺▔\︿_/︺╲▁︹_/﹀\_︿/︺▔╲ | aa…aaa﹀ ▔╲︿_/︺▔\︿_/︺╲▁︹_/﹀\_︿/︺▔╲ | |
| うるさい。 | urusai. | |
| ・・・・・・ | ...... | |
| ※聞取不可 | ※kikito fuka | |
| Discussion？（聞取不可 （多分怒ってる）） | Discussion? (kikitoru fuka (tabun okotteru)) | |
| There is no need for such a thing.（聞取不可 （多分怒ってる）） | There is no need for such a thing. (kikitoru fuka (tabun okotteru)) | |
| What is needed is a first.（聞取不可 （多分怒ってる）） | What is needed is a first. (kikitoru fuka (tabun okotteru)) | |
| You got a problem？（聞取不可 （多分怒ってる）） | You got a problem? (kikitoru fuka (tabun okotteru)) | |
| 醤油ぶっかけるぞテメェ（聞取不可 （多分怒ってる）） | shouyu bukkakeru zo temee (kikitoru fuka (tabun okotteru)) | |
| I am the daughter.（聞取不可 （多分怒ってる）） | I am the daughter. (kikitoru fuka (tabun okotteru)) | |
| I deserve to be gifted.（聞取不可 （多分怒ってる）） | I deserve to be gifted. (kikitoru fuka (tabun okotteru)) | |
| You people are ″insignificant″.（聞取不可 （多分怒ってる）） | You people are ″insignificant″.(kikitoru fuka (tabun okotteru)) | |
| ″insanity″？cant!（聞取不可 （多分怒ってる）） | ″insanity″? cant! (kikitoru fuka (tabun okotteru)) | |
| シロップ溢してベトベトになれや（聞取不可 （多分怒ってる）） | shiroppu koboshite betobeto ni nareya (kikitoru fuka (tabun okotteru)) | |
| ずんだもんなのだ！ | zundamon nano da! | |
| ずんだもんはてんさいなのだ！ | zundamon wa tensai nano da! | |
| だからとてもいいあんをおもいついたのだ！ | dakara totemo ii an o omoitsuita no da! | |
| これでやっとかいぎもおひらきなのだ！ | kore de yattokai gimoo hiraki nano da! | |
| そんなかっきてきですばらしいあんとは、まず ご | sonna kakkiteki de subarashii an to wa, mazu go | |
| 会議はカラカラ回る回る | kaigi wa karakara mawaru mawaru | |
| 終わりの兆しを見させて！ | owari no kizashi o misasete! | |
| ハヤくハヤく決めるのだ！（ましょう！）◆◆ | hayaku hayaku kimeru no da! (mashou!) ◆◆ | |
| hurry up! hurry up! クソ喰らえ この時レイは聞取不可(多分まあまあ怒ってる) ◆◆ | hurry up! hurry up! kuso kurae kono toki Rei wa kikitori fuka (tabun maa maa okotteru) ◆◆ | |
| そもそもまともな奴がいない | somosomo matomo na yatsu ga inai | |
| なるほど答えにありつかない | naruhodo kotae ni aritsukanai | |
| というか、この音MADマジで草 | to iu ka, kono oto MAD maji de kusa | |
| ※聞き取り不可（多分なんか怒ってる） まともじゃないやつ うーぱぱうーぱぱ ◆◆ | (kikitoru fuka (tabun okotteru)) matomo janai yatsu uupapa uupapa ◆◆ | |
| 少しはまともに if you say so 舐めてんの？（考えて！）◆◆ | sukoshi wa matomo ni if you say so nameten no? (kangaete!) ◆◆ | |
| どうかどうか考えて！ | douka douka kangaete! | |
| ならば私が… | naraba watashi ga… | |
| やめてくれ！ | yamete kure! | |
| まだまだ会議は続く続く | madamada kaigi wa tsuzuku tsuzuku | |
| ｢丁々発止｣じゃ表せない | "chouchouhasshi" ja arawasenai | |
| とにかく誰かまともな意見を出してくれ！◆◆ | tonikaku dareka matomo na iken o dashite kure! ◆◆ | |
| じゃあ もう ◆◆◆◆◆◆ | jaa mou ◆◆◆◆◆◆ | |
| （僕にくれなのだ）（私にください）（閨槭″蜿悶ｊ荳榊庄閭ｽ縺ｧ縺）（僕にください）（僕にください）（MEにください） | (boku ni kure nano da) (watashi ni kudasai) (閨槭″蜿悶ｊ荳榊庄閭ｽ縺ｧ縺) (boku ni kudasai) (boku ni kudasai) (ME ni kudasai) | |
| こんにちは。実況のつくよみです。 | konnichiwa. jikkyou no tsukuyomi desu. | |
| ういっす。解説です。 | uissu. kaisetsu desu. | |
| はたして、どう決着がつくのでしょうか | hatashite, dou kecchaku ga tsuku no deshou ka | |
| ｳﾎﾟ | upo | |
| おっと、どうやら、和やかな雰囲気ですね。 | otto, douyara, nagoyaka na fun'iki desu ne. | |
| どうしたのでしょうか。 | doushita no deshou ka. | |
| 分譲契約で円満に終わったんじゃないかな | bunjou keiyaku de enman ni owatta nja nai kana | |
| なるほど！ | naruhodo! | |
| これだけ大きな館でしたら、シェアもありですね。 | kore dake ookina yakata deshitara, shea mo ari desu ne. | |
| これにて、一件落着です。 | kore nite, ikkenrakuchaku desu. | |
| ところで、ク↓ソ↑ガキはどこへ行ったのでしょう。 | tokoro de, ku↓ so↑ gaki wa doko e itta no deshou. | |
| 馬鹿げた最後を飾る飾る | bakageta saigo o kazaru kazaru | |
| 終わりも終わりだピーヒャララ | owari mo owari da piihyarara | |
| ハヤくハヤく吊るしましょう！ | hayaku hayaku tsurushimashou! | |
| ずんだにハッカを塗りましょう！ | zunda ni hakka o nurimashou! | |
| 舞台はどんどん沈む沈む | butai wa dondon shizumu shizumu | |
| 贈与は白紙にピーヒャララ | zouyo wa hakushi ni piihyarara | |
| ※聞き取り不可（多分なんか怒ってる） | ※kikitori fuka (tabun nanka okotteru) | |
| まともじゃないやつ うーぱぱうーぱぱ | matomo janai yatsu uupapa uupapa | |
| 僕だけがまともなのだ！ | boku dake ga matomo nano da! | |
| ずんだは黙って轢かれてろ！ | zunda wa damatte hikaretero! | |
| まだまだずん虐続く続くニコニコ本社の跡地で | madamada zungyaku tsuzuku tsuzuku nikoniko honsha no atochi de | |
| ずんだの始末のまともな意見を出してくれ！◆◆ | zunda no shimatsu no matomo na iken o dashite kure! ◆◆ | |
| じゃあ もう ◆◆◆◆◆◆ | jaa mou ◆◆◆◆◆◆ | |
| （許してなのだ）（通報しましょう）（閨槭″蜿悶ｊ荳榊庄閭ｽ縺ｧ縺）（淫夢ネタにしてばら撒きましょう！）（ちょっと遅れですけど、拳は正義なんですよね。）（女の子あｧア╲︿↓）（【規制音】せ） | (yurushite nano da) (tsuuhou shimashou) (閨槭″蜿悶ｊ荳榊庄閭ｽ縺ｧ縺) (inmu neta ni shite baramakimashou!) (chotto okure desu kedo, kobushi wa seigi nan desu yo ne.) (onna no ko aaa╲︿￬) ([kiseion] se) | |
| 8人目！遅いよ！◆◆ | hachijinme! osoi yo! ◆◆ | |
| あー、遅刻って、正義なんですよね | aa, chikoku tte, seigi nan desu yo ne | |
| ジブラルタルでは遅刻が正義だという慣習があるんすよ | jiburarutaru de wa chikoku ga seigi da to iu kanshuu ga arun su yo | |
| それって、なんかデータとかあるんすか？ | sore tte, nanka deeta toka arun su ka? | |
| ないんですよね？ | nain desu yo ne? |
Trivia[]
- For the voice-synth "characters" here and the roles of each voice synth, this info came from the Niconico and YouTube descriptions but put in simpler terms:
- Yuzuki Yukari as the Organizer
- The head and the owner of the mansion. She does not have any special character traits and features, and she tolerates people who are not really normal. - Hatsune Miku as the Organizer's Wife
- The owner's wife of the mansion, described as a "dangerous person". - Kaai Yuki as the Ghost
- The ghost who is in this mansion, but nobody really listens to her. - flower as the Security Gaurd
- The security guard who guards the mansion. She's lazy and watches videos on Niconico, but strangely she wasn't fired. - Fukase as the Organizer's Son
- The owner's son of the mansion. He's a nerd and doesn't speak well because there are only girls in the mansion. This character represents us the viewers.- Note: This character is the only male character in this song.
- Note: He also writes posts on 2chan about bashing the producer who makes this song.
- GUMI as the Organizer's Daughter
- The owner's daughter of the mansion. She doesn't understand Japanese so she doesn't understand what everyone was saying. She tried to speak Japanese but she doesn't know what she says either. She speaks only English. - Adachi Rei as the Maid
- The highly-capable android maid in this mansion. She speaks a language that is not any normal language. She does everything in the mansion but whenver she sees GUMI, she hits her. She's always angry.- Note: From the Mojibake (閨槭″蜿悶ｊ荳榊庄閭ｽ縺ｧ縺) in some of the lyrics, after decoding it still says "聞取不可 (Kikito Fuka)"
- Zundamon as the Brat
- The scum child who sneaks in the mansion. Even though he didn't know any of the characters in this mansion, he was called out for meetings. Strangely, he wasn't kicked out. - Hiroyuki as the ???
- The character who is late at the end of the song.- Note: About Hiroyuki, its voice provider Hiroyuki Nishimura is known as the founder of 2channel and the administrator of 4chan. As of February 2013, he served as a director and advisor for Niwango, the company that operates the video-sharing platform Nico Nico Douga. He is widely regarded as a major figure mainly in Niconico and is frequently seen in Japanese internet memes.
- Tsukuyomi-chan as the Live Commentator
- The character who comments around the song and appears out of nowhere; this is the part where the song did not take it seriously. - Kasukabe Tsumugi as the Commentator
- just like Tsukuyomi-chan, she also appears out of nowhere too, forced to give an explanation to the song.
- Yuzuki Yukari as the Organizer
External links[]
Official[]
- Lyrics - piapro