知っちゃった (Shicchatta)

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Background[]

“This is Sheeno Mirin.”

"Shicchatta" also notably known the name as "I Found It Out" is a EDM, poemloid song featuring KAFU and two Yuzuki Yukari voicebanks, VOCALOID and A.I. VOICE. It was released as an entry for two certain events such as The VOCALOID Collection 2022 Autumn and Niconico Video Awards 2022. Despite not highly ranked the NicoNico Awards, somewhere in the VOCALOID Collection it was ranked as 3rd place on the top 100.^{[note 1]}

This song may not be Mirin's first work that ever entered the Hall of Fame but this song was also becoming Sheeno Mirin's most viewed work and also their first work of acheiving 1 million views on YouTube as of May 2024.

Lyrics[]

Japanese (日本語歌詞)	Romaji (ローマ字)
嗚呼、ここはまさに地獄だ。	aa, koko wa masa ni jigoku da.
思弁性のあるゲーミフィケーション、	shibensei no aru geemifikeeshon,
と化した思考。自問自答、	to kashita shikou. jimonjitou,
大概、正気の沙汰でない状態。	taigai, shouki no satadenai joutai.
超常現象を対象とした逆相の創造。	choujou genshou o taishou to shita gyakushou no souzou.

物語の語りは一義の方が簡潔で、	monogatari no katari wa kazuyoshi no kata ga kanketsu de,
二項を対させれば明快で、	nikou o taisasereba meikai de,
そうして三寸の舌を掉った彼が、	soushite sanzunnoshita o kutta kare ga,
置くのは死んだディスクールで。	oku no wa shinda disukuuru de.
社会は複雑だししょうがないね、	shakai wa fukuzatsu da shi shouganai ne,
とはならない落とし込み・誤謬で、	to wa naranai otoshikomi gobyuu de,
世界を語り尽くした気になっている、	sekai o kataritsukushita ki ni natte iru,
は？つか、そもそもお前は誰？なあ、	ha? tsuka, somosomo omae wa dare? naa,

なあ、	naa,

知っちゃった、	shicchatta,
知っちゃった、	shicchatta,
知っちゃった、	shicchatta,
知っちゃったんです。	shichatta ndesu.

とか宣ってまた一人、	toka totte mata hitori,
優越感に浸りに行く様相です、笑	yuuetsukan ni hitari ni iku yousou desu,

はあ、	haa,

知っちゃった、	shicchatta,
知っちゃった、	shicchatta,
知っちゃった、	shicchatta,
知っちゃったんです。	shichatta ndesu.

この社会の一部がもう、	kono shakai no ichibu ga mou,
死んじゃったってことを、知っちゃったんです。	shinjatta tte koto o, shicchatta ndesu.

嗚呼、ここはまさに地獄だ。	aa, koko wa masa ni jigoku da.
権威性のある文系的意味論、	ken’isei no aru bunkeiteki imiron,
に向かう思考。一対一定では、	ni mukau shikou. ittsui ittei de wa,
大概、片付けられない状況。	taigai, katazukerarenai joukyou.
そんなの関係なく超身勝手な解釈で妄想。	sonna no kankei naku choumigatte na kaishaku de mousou.

物語の語りは気持ちよければよくて、	monogatari no katari wa kimochiyokereba yokute,
分かりやすい構造を求めて、	wakariyasui kouzou o motomete,
そうして三寸の舌を掉う様は、	soushite sanzunnoshita o furuu sama wa,
もう、庶民もどきのバテレンで。	mou, shomin modoki no bateren de.
社会は想像より簡単に、	shakai wa souzou yori kantan ni,
記述できる様なもんじゃないし、	kijutsu dekiru you na mon ja nai shi,
だからそれを非難するのも、	dakara sore o hinan suru no mo,
きっと思うより簡単じゃない。	kitto omou yori kantan ja nai.

かくて、	kakute,
常識とカテゴライズされるところを絶対化し、	joushiki to kategoraizu sareru tokoro o zettai kashi,
俗説というラベルのみで、	zokusetsu to iu raberu nomi de,
シニシズムに至ることもまた、	shinishizumu ni itaru koto mo mata,
非合理の裏返しであって、	higouri no uragaeshi de atte,
カント以降の相関主義では例えば、	kanto ikou no soukanshugi de wa tatoeba,
相関の外部の実在を肯定する、	soukan no gaibu no jitsuzai o koutei suru,
一種のイデオロギーに対して、	isshu no ideorogii ni taishite,
有効かつ不可逆的な反駁ができません。	yuukou katsu fukyagakuteki na hanbaku ga dekimasen.
言明を正当化する	genmei o seitouka suru
「隠された道理」が、	kakusareta douri ga,
相関の外部にもないと、	soukan no gaibu ni mo nai to,
証明しなければならない。	shoumei shinakereba naranai.
そのために、絶対的妥当性のある、	sono tame ni, zetsutaiteki datousei no aru,
思考原理を模索します。	shikou genri o mosaku shimasu.

批判の脆弱性について。	hihan no seijakusei ni tsuite.

知っちゃった、	shicchatta,
知っちゃった、	shicchatta,
知っちゃった、	shicchatta,
知っちゃったんです。	shichatta ndesu.

はあ、	haa,

知っちゃった、	shicchatta,
知っちゃった、	shicchatta,
知っちゃった、	shicchatta,
知っちゃったんです。	shichatta ndesu.

それでもどこかに希望はないものかと、	soredemo dokoka ni kibou wa nai mono ka to,
今日も探しているんです。	kyou mo sagashite iru ndesu.

Below is an official English translation: via Producer. Amendments may have been made to the original translation. —Translated and Written by Tackmyn Y.

Alas, this is literally Hell.
This speculative gamification is a ruin
Of what “thought” used to be. And pondering;
Most things here are complete and utter insanity;
Creating the antiphase subject to paranormal phenomena.

Storytelling’s simpler when there’s one message,
More apparent when there’s a dichotomy between two topics,
And thus he with a glib tongue receives three cheers,^[1]
Only to place the dead discourse for people.
“Society’s complicated, that’s just the way it is—”
Isn’t going to be the outcome of your arguments or fallacies,
With which you feel as if you’d given a full answer to the world.
What? I mean, who the hell are you, anyway?

Hey,

I found it out,
I found it out,
I found it out,
I found it out, you see.

Appealing like that, you’re going
To feel superior on your own again, lol

Sigh,

I found it out,
I found it out,
I found it out,
I found it out, you see.

A part of this society
Has already died; I found it out, you see.

Alas, this is literally Hell.
Authoritative is humanities’ semantics,
Upon which their thoughts focus. One-to-one theories
Are way too powerless to cope with the whole situation.
Notwithstanding, they’re under delusions with super-selfish interpretations.

Storytelling’s considered good as long as it sounds pleasant;
Everybody craves easy-to-understand structures;
Thus he with a glib tongue receives three cheers,
Making himself a totally pseudo-folksy padre.
Society isn’t something that can be
Described as simply as you expect,
And accusing it hence
Shouldn’t be as easy as you might think, either.

Therefore,
Legitimatizing matters categorized as common sense,
As well as wearing cynicism just because
The subject in question is labeled as a vulgar belief,
Shows how unreasonable you actually are;
Post-Kantian correlationism is, for instance,
Incapable of giving a valid and yet irreversible refutation
Of some types of ideologies
Affirmative of what lies outside the correlate.
We thereupon must prove
That there is no “hidden reason”
That could justify their statement
Even in the exterior of the correlation.
Because of that, we are going to grope
For a principle of thought with absolute validity.

That was about the vulnerability of criticism.

I found it out,
I found it out,
I found it out,
I found it out, you see.

Sigh,

I found it out,
I found it out,
I found it out,
I found it out, you see.

Nevertheless, I believe there’s hope somewhere
And search for it day after day.

Translation Notes[]

↑ Notice that Mirin engages in an interesting wordplay here, where some numbers appear in the lyrics: 一 (one) in 一義 (one message), 二 (two) in 二項 (two topics), 三 (three) in 三寸の舌 (a three-inch tongue; a glib tongue)…… and presumably 死 in 死んだ (dead), whose pronunciation is the same as that of 四 (four). I tried doing that kind of play-on-words in the translation as well, though I’m totally not sure if it worked. (For your information, some people also argue that 誤謬 (fallacy) was also meant to have 誤, which is pronounced similarly to 五 (five), but uh, come on…)

Notes[]

↑ VOCACOLLE Website (Autumn 2022)

Other media appearances[]

Discography[]

This song was featured on the single 知っちゃった (Shicchatta).

Gallery[]

External Links[]

Official[]

note — Guidelines for Secondary Use
DL & Streaming Platforms:
- The Orchard (NOTE: Streaming Services like: Apple Music, iTunes and amazon music; are not available. here are other list of services that are available below)
  - Spotify
  - LINE MUSIC
  - AWA
  - recochoku
  - KKBOX
  - YouTube Music
Instrumental — Google Drive
Lyrics — Google Docs

Unofficial[]

VOCALOID Lyrics Wiki
Tackmyn's House — Translation source

[2] Notice that Mirin engages in an interesting wordplay here, where some numbers appear in the lyrics: 一 (one) in 一義 (one message), 二 (two) in 二項 (two topics), 三 (three) in 三寸の舌 (a three-inch tongue; a glib tongue)…… and presumably 死 in 死んだ (dead), whose pronunciation is the same as that of 四 (four). I tried doing that kind of play-on-words in the translation as well, though I’m totally not sure if it worked. (For your information, some people also argue that 誤謬 (fallacy) was also meant to have 誤, which is pronounced similarly to 五 (five), but uh, come on…)

[1] VOCACOLLE Website (Autumn 2022)

[note 1]

[1]